91勛圖厙

Yulia Tsutserova

Lecturer

  • Department: Comparative Literature and English
  • Office: 
    TBD
  • Office Hours: 
    Tue/Fri 11:00-12:00, by appointment 48 hours in advance

Having obtained a Bachelors degree in Fine Arts (Drawing and Painting), Yuliya TSUTSEROVA completed her education by an interdisciplinary doctorate in philosophy, literature, and visual culture at the University of Chicago. She defended a dissertation entitled "The Work of Art as a Site of Encounter in Martin Heidegger" under the direction of Jean-Luc Marion. Qualified to teach in the areas of philosophy of art and literary criticism, literary and visual genres, modern and contemporary philosophy, Yuliya Tsutserova has taught, among others, the following courses :

  • Le sublime/La critique泭| cole des Arts de la Sorbonne, Universit矇 Panth矇on-Sorbonne
  • Imitation, v矇rit矇, imagination泭|泭cole des Arts de la Sorbonne, Universit矇 Panth矇on-Sorbonne
  • Writing and Criticism (Eros and Poesis)泭| American University of Paris
  • Writing and Criticism (Con-figuration, De-figuration, Trans-figuration)泭| American University of Paris
  • Atelier de la pens矇e critique : histoire, d矇finitions, usages泭| ENSTA Paris
  • thique : Vertu, droit et politique chez Aristote et Kant泭| Universit矇 Paris-Sorbonne
  • Politics and Religions泭| Paris Global Institute, Council on International Educational Exchange
  • Philosophical Perspectives on the Humanities泭|The University of Chicago

Her teaching activities are enriched by her research on the subject of artistic and philosophical creation understood in terms of spontaneity, experimentation, discovery and the unexpected. "Creative Intuition, Understanding, and Reception in Bergson, Husserl and Ingarden" is her latest study in a series of publications such as "Creative Configuration as the Logic of Cultural Sense in Husserl and Cassirer" and "The Suprasubjective and Creative Origin of Predication in Heidegger."



Education/Degrees

PhD, The University of Chicago

Research Areas

Contemporary Continental Philosophy (German & French Phenomenology)
Aesthetics, Art History, Visual Arts Theory & Practice
Literary Theory & Criticism, 19th- & 20th-Century Novel