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Cary Hollinshead-strick

Cary Hollinshead-strick

Associate Professor, Department Chair

  • Department: Comparative Literature and English
  • Office: 
    G-117
  • Office Hours: 
    By appointment

Professor Hollinshead-Strick came to Paris after teaching in Penang, Providence, and Philadelphia. Having spent a year at Universit矇 Paris 7, Denis Diderot, she made her way to The American University of Paris, joining the faculty in 2009. Her research focuses on nineteenth-century literature and media, with particular attention paid to the relationship between the theater and the press in France.泭

Popular culture, especially as it relates to the history of material texts, interests her more generally, as do the uses of publicity in society. The city of Paris also plays an essential role in Hollinshead-Stricks research and teaching. Its libraries and archives house rare documents that often inform her publications and conference papers, while its streets and museums occasionally serve as classrooms for courses she teaches on Paris through its Books and Paris as a Stage for Revolution.



Education/Degrees

  • Ph.D., Comparative Literature, University of Pennsylvania, 2008.
    • Awarded through a cotutelle arrangement with LUniversit矇 Paris IV, La Sorbonne. Mention tr癡s honorable avec f矇licitations.
    • Title: Performing Publicity: The Press on Stage in in the Feuilleton, 1836-1848.
    • Certificate in Womens Studies, University of Pennsylvania, 2004.
  • M.A., Comparative Literature, University of Pennsylvania, 2001
  • B.A., Comparative Literature, Princeton University, 1996.

ACADEMIC EMPLOYMENT HISTORY
  • Associate Professor, The American University of Paris, Department of Comparative Literature and English, 2017-present.

  • Assistant Professor, The American University of Paris, Department of Comparative Literature and English, 2009-2017.

  • Writing Program Administrator, The American University of Paris, 2013 -2019.
  • Lecturer, The American University of Paris, Department of Comparative Literature and English, Spring 2007, 2008-2009.
  • Exchange Teaching Fellow, Universit矇 Paris 7, Denis Diderot, UFR de Lettres, arts et cin矇ma, 2004-2005.
  • Instructor of record for false-beginner and intermediate French language courses, University of Pennsylvania, 2003-2004.
  • Visiting Teaching Fellow at the Center for Language and Translation, Universiti Sains Malaysia, Penang, Malaysia, 1996-1997.

Publications

  • The Fourth Estate at the Fourth Wall: Newspapers on Stage in July Monarchy France. Northwestern UP, 2019.
  • Text Pur矇ed or in Patches: Alimentary Metaphors for Press Practices. Romanic Review, edited by Masha Belenky, Carolyn Betensky, and Susan Hiner, September 2021.
  • Gautiers Modern Spin on Fashion. Fashion, Modernity, and Materiality in France: From Rousseau to Art Deco, edited by Heidi Brevik-Zender, SUNY Press, 2018.
  • Review of Popular Theatre and Political Utopia in France, 1870-1940: Active Citizens, by Jessica Wardhaugh. H-France Review Vol. 18 (December 2018), No. 230.
  • Teaching Les Mis矇rables in Paris Through its Books. Approaches to Teaching Victor Hugos Les Mis矇rables, edited by Michal P. Ginsburg and Bradley Stephens, Modern Language Association of America, 2018.
  • The Emancipated Spectator and Modernism. Understanding Ranci癡re, Understanding Modernism, edited by Patrick Bray, Bloomsbury, 2017.
  • Conte dun Faust des ann矇es 1830 - LAmour et le Grimoire. Cahiers d'矇tudes nodi矇ristes, edited by Caroline Raulet-Marcel and Georges Zaragoza, June 2017.
  • Le boulevard du crime s矇lectionne son jury : La presse judiciaire sur sc癡ne sous la Monarchie de Juillet. First issue of European Drama and Performance Studies : Spectacles, commerce et culture mat矇rielle (1715-1860). Ed. Sabine Chaouche et Roxane Martin, Classiques Garnier, 2013.
  • La Mise en page et le passage la post矇rit矇 dans Les Belles femmes de Paris et Les Gu礙pes dAlphonse Karr. Lcrit l矇preuve des m矇dias, Ed. Greta Komur-Thilloy et Anne R矇ach-Ngo, Paris: Classiques Garnier, 2012.
  • La Publicit矇 n矇gative et lpoque au th矇璽tre. Dossier 2. Presse et sc癡ne au XIXe si癡cle, Ed. Olivier Bara et Marie-ve Th矇renty.
  • Using La Presse to stage La V矇rit矇 in Delphine de Girardins cole des journalistes. Dix-Neuf. Vol 7. October 2006.

Conferences & Lectures

  • Theatrical Scraps and Clich矇d Chestnuts: July Monarchy Locavores. NCFS, (Nineteenth Century French Studies) Colloquium. Raleigh, NC, October 2012.
  • La presse anglaise, un mod癡le de prostitution ambitieuse. Presse, prostitution, bas-fonds dans lespace m矇diatique francophone, 1830-1930. Quebec City, June 2012.
  • Beyblades, Inception, and Tops as Communicative Objects. AUP/Eugene Lang Seminar Series on Communicative Objects. Paris, March 2012.
  • Le Boulevard du Crime Selects a Jury. NCFS (Nineteenth Century French Studies) Colloquium. Philadelphia, PA, October 2011.泭
  • La Mise en page et le passage la post矇rit矇 dans Les Belles femmes de Paris et Les Gu礙pes dAlphonse Karr. La m矇diatisation de l矇crit, de la naissance de limprim矇 l癡re 矇lectronique.泭 lUniversit矇 de la Haute-Alsace, Mulhouse, October 2010.
  • Experiencing Racine with Nanny: Matching Methodology with Theories of Spectacle. NCFS, (Nineteenth Century French Studies) Colloquium. New Haven, CT, October 2010.
  • La Publicit矇 n矇gative et lpoque au th矇璽tre. Presse et Sc癡ne au XIXe si癡cle. Montpellier, France, June 2010.
  • Copying lpoque: Testing Social Legibility on the Vaudeville Stage. NCFS, (Nineteenth Century French Studies) Colloquium. Salt Lake City, UT, October 2009.
  • Personifying the Press: Newspapers on Stage After 1830 MLA. Chicago, IL, 2007. (Nineteenth-Century French Division Panel)
  • Performing for an Alternative Archive in July Monarchy France MLA. Philadelphia, PA, 2006. (Drama Division Panel)
  • The Typesetter as the Scapegoat of Industrial Literature. MLA. Philadelphia, PA, 2006. (Rhetoric and Composition Division Panel)
  • mile de Girardin, metteur en sc癡ne de la publicit矇. De la r矇clame la pub, Dramaturgies et mises en sc癡ne de la publicit矇. Le Ph矇nix - Sc癡ne nationale de Valenciennes, September 2006.
  • Using La Presse to stage La V矇rit矇 in Delphine de Girardins cole des journalistes. NCFS (Nineteenth Century French Studies) Colloquium. Austin, TX, October 2005.
  • If the Theater is a Brothel, What is the Critic?: The Role of Journalism in Nana and Sister Carrie. AIZEN Conference on mile Zola and Naturalism. Philadelphia, PA, October 2001.

Affiliations

MLA, NCFS

Research Areas

  • Nineteenth-century French literature and media
  • History of material texts
  • Popular theater, especially vaudeville

Awards, Fellowships and Grants

  • The American University of Pariss Board of Trustees Award for Outstanding Research and Publications, 2020.
  • Elected to a five-year term on the executive committee of the Modern Language Associations LLC 19th-Century French forum, beginning 2021.